1. Pucimandajātaka
“Uṭṭhehi cora kiṁ sesi, ko attho supanena te;
supanena → supinena (bj, pts-vp-pli1, mr) | supanena → supitena (cck: sī.); supinena (cck: pī. ka.) Mā taṁ gahesuṁ rājāno, gāme kibbisakārakaṁ”.
gahesuṁ → gahesu (sya1ed, sya2ed); gaṇheyyuṁ (mr) | gahesuṁ → maṁ gaṇehayyu gahesuṁ (bj: syā) | gahesuṁ → gaṇheyyuṁ (cck: ka.) kibbisakārakaṁ yannu → kibbisakārakanti yan nu (pts)“Yannu coraṁ gahessanti, gāme kibbisakārakaṁ;
Yannu → nanu (sya1ed, sya2ed) | yannu → nanu (sya-all) | nu → nūna (cck: syā.) | nanu → ba. yaṁ nu (sya-all note) Kiṁ tattha pucimandassa, vane jātassa tiṭṭhato”.
tiṭṭhato → tiṭṭhatoti (pts)“Na tvaṁ assattha jānāsi, mama corassa cantaraṁ; Coraṁ gahetvā rājāno, gāme kibbisakārakaṁ; Appenti nimbasūlasmiṁ, tasmiṁ me saṅkate mano”.
Appenti → accenti (sya1ed, sya2ed) | appenti → accenti (sya-all) | Appenti → accenti (cck: syā.) | accenti → ba. appenti (sya-all note) mano → manoti (pts)“Saṅkeyya saṅkitabbāni, rakkheyyānāgataṁ bhayaṁ;
rakkheyyānāgataṁ → rakkheyya nāgataṁ (pts) Anāgatabhayā dhīro, ubho loke avekkhatī”ti.